Welcome to a world where time has become the ultimate currency. You stop aging at 25, but there's a catch: you're genetically-engineered to live only one more year, unless you can buy your way out of it. The rich "earn" decades at a time (remaining at age 25), becoming essentially immortal, while the rest beg, borrow or steal enough hours to make it through the day. When a man from the wrong side of the tracks is falsely accused of murder, he is forced to go on the run with a beautiful hostage. Living minute to minute, the duo's love becomes a powerful tool in their war against the system.

High Road showcases a totally improvised script about Glenn "Fitz" Fitzgerald (James Pumphery), a young man whose loyalties are split among his band, his girlfriend Monica (Abby Elliott) and selling weed. After his band breaks up, Fitz finds himself dealing pot out of his garage and bonding with a rebellious 16-year-old Jimmy (Dylan O'Brien). As his former band mates (Zach Woods, Matt L. Jones, Lizzy Caplan) find success and one of his drug deals goes awry, Fitz and Jimmy hit the road. Amid guns, broken bones, sassy cabbies, rude hookers, and a suspicious doctor (Horatio Sanz), Fitz has to navigate their way to safety-and he doesn't even know about the surprise Monica has in store for him back home!

A retired boxer tries to help a new student, Matthew Miller, who is being targeted by bullies. While learning to box and stand up to his tormentors the young boxer must learn to overcome his tumultuous past.

Michael, the son of a funeral director grows indifferent to his father and joins a Seminary. On his way to the course completion, he is overwhelmed by a strong lack of faith. His religious beliefs are further jolted when he sees a young girl haplessly dying in a road accident for whom he reluctantly performs the ritual to absolve her sins. His mentor still believes in him and urges him to go to Italy to take an exorcism course hoping that he it would strengthen his faith in Christianity. In Italy he attends a session from Father Xavier who soon becomes aware of his skepticism. As a result he sends him to an eminent Jesuit exorcist, Father Lucas, whose ways though questionable are quite effective. He witnesses the exorcism of a sixteen year old girl but still seems unconvinced. Father Lucas explains to him that it takes multiple sessions over a long stretch of time to completely free a victim from the demon. Despite witnessing some supernatural occurrences during the aforesaid exorcism, Michael is as skeptical as ever. After the second exorcism, the girls condition becomes quite critical as she is moved to a hospital. She soon dies and the demon finds a new victim. As the moment of reckoning draws near, Micheal may be the only hope left but first he must overcome his own doubts and apprehensions in order to fight and destroy the ominous forces.

Former cop Brian O'Conner partners with ex-con Dom Toretto on the opposite side of the law. Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail. Hard-nosed federal agent Luke Hobbs never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey... before someone else runs them down first.

Kyle and Sarah Miller have it all: a huge gated house on the water, fancy cars, and the potential for romance in their relationship. He's just back from a business trip (he brokers diamonds) and their teen daughter Avery is sneaking out to a party, when four thugs in security uniforms and ski masks stage a home invasion. They want what's in the safe: cash and diamonds. Kyle stalls them, trying to negotiate for Sarah's freedom. Over the next few hours, the back stories of the four robbers (two brothers, a girlfriend, and the representative of a local drug kingpin) as well as the fault lines in Kyle and Sarah's marriage come into play. Is there room here for heroism?